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By Andrew Repasky McElhinney.

Poole&#;s existence covers an enviable (at least in retrospect, at least to me) span of the post-WWII 20th century America&#;. [with] one of the first positive representations of Queer life and Lgbtq+ sex in the U.S., and a talisman for the then emerging Movement movement.&#;

I never met Wakefield Poole, who died October 27, at age 85, and I came late to his movies. My ally and collaborator, James Hollenbaugh, pulled my coat to Jim Tushinski&#;s splendid documentary, I Always Said Yes: The Many Lives of Wakefield Poole, as it hit the festivals back in

Poole&#;s life covers an enviable (at least in retrospect, at least to me) span of the post-WWII 20th century in America. He intersects with icons like Andy Warhol, John Dexter, Stephen Sondheim, Marvin Shulman, Georgina Spelvin, and their fascinating cultural splinters of three of my favorite things: the Underground, Broadway, and muddy movies. Poole is peripherally involved with legendary flop mainstream musicals like Do I Hear a Waltz? Dear